While filming, exposing for slow-motion was something to keep in mind.
To properly expose the Sony FS7 (in S-Log2), a lot of light was brought in to record everything (details in the shadows and mid-tones) for filming at 120fps.
While filming, exposing for slow-motion was something to keep in mind.
To properly expose the Sony FS7 (in S-Log2), a lot of light was brought in to record everything (details in the shadows and mid-tones) for filming at 120fps.
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